Nobelprize.org
Nobel Prizes and Laureates


Nobel Prizes and Laureates

The Nobel Prize in Literature 1999
Günter Grass

Share this:
English
German
Swedish

Prose

 

Excerpt from The Tin Drum

Illustration
Illustration by Günter Grass
© Günter Grass & DTV

 

But now it was Monday afternoon and my grandmother was sitting by the potato fire. Today her Sunday skirt was one layer closer to her person, while the one that had basked in the warmth of her skin on Sunday swathed her hips in Monday gloom. Whistling with no particular tune in mind, she coaxed the first cooked potato out of the ashes with her hazel branch and pushed it away from the smoldering mound to cool in the breeze. Then she spitted the charred and crusty tuber on a pointed stick and held it close to her mouth; she had stopped whistling and instead pursed her cracked, wind-parched lips to blow the earth and ashes off the potato skin.
    In blowing, my grandmother closed her eyes. When she thought she had blown enough, she opened first one eye, then the other, bit into the potato with her widely spaced but otherwise perfect front teeth, removed half the potato, cradled the other half, mealy steaming, and still too hot to chew, in her open mouth and, sniffing at the smoke and the October air, gazed wide-eyed across the field toward the nearby horizon, sectioned by telegraph poles and the upper third of the brickworks chimney.
     Something was moving between the telegraph poles. My grandmother closed her mouth. Something was jumping about. Three men were darting between the poles, three men made for the chimney, then round in front, then one doubled back. Short and wide he seemed, he took a fresh start and made it across the brickyard, the other two, sort of long and thin, just behind him. They were out of the brickyard, back between the telegraph poles, but Short and Wide twisted and turned and seemed to be in more of a hurry than Long and Thin, who had to double back to the chimney, because he was already rolling over it when they, two hands’ breadths away, were still taking a start, and suddenly they were gone as though they had given up, and the little one disappeared too, behind the horizon, in the middle of his jump from the chimney.
     Out of sight they remained, it was intermission, they were changing their costumes, or making bricks and getting paid for it.
    Taking advantage of the intermission, my grandmother tried to spit another potato, but missed it. Because the one who seemed to be short and wide, who hadn’t changed his clothes after all, climbed up over the horizon as if it were a fence and he had left his pursuers behind it, in among the bricks or on the road to Brenntau. But he was still in a hurry; trying to go faster than the telegraph poles, he took long slow leaps across the field; the mud flew from his boots as he leapt over the soggy ground, but leap as he might, he seemed to be crawling. Sometimes he seemed to stick in the ground and then to stick in mid-air, short and wide, time enough to wipe his face before his foot came down again in the freshly plowed field, which bordered the five acres of potatoes and narrowed into a sunken lane.
     He made it to the lane; short and wide, he had barely disappeared into the lane, when the two others, long and thin, who had probably been searching the brickyard in the meantime, climbed over the horizon and came plodding through the mud, so long and thin, but not really skinny, that my grandmother missed her potato again; because it’s not every day that you see this kind of thing, three full-grown men, though they hadn’t grown in exactly the same directions, hopping around telegraph poles, nearly breaking the chimney off the brickworks, and then at intervals, first short and wide, then long and thin, but all with the same difficulty, picking up more and more mud on the soles of their boots, leaping through the field that Vincent had plowed two days before, and disappearing down the sunken lane.
     Then all three of them were gone and my grandmother ventured to spit another potato, which by this time was almost cold. She hastily blew the earth and ashes off the skin, popped the whole potato straight into her mouth. They must be from the brickworks, she thought if she thought anything, and she was still chewing with a circular motion when one of them jumped out of the lane, wild eyes over a black mustache, reached the fire in two jumps, stood before, behind, and beside the fire all at once, cursing, scared, not knowing which way to go, unable to turn back, for behind him Long and Thin were running down the lane. He hit his knees, the eyes in his head were like to pop out, and sweat poured from his forehead. Panting, his whole face a tremble, he ventured to crawl closer, towards the soles of my grandmother’s boots, peering up at her like a squat little animal. Heaving a great sigh, which made her stop chewing on her potato, my grandmother let her feet tilt over, stopped thinking about bricks and brickmakers, and lifted high her skirt, no, all four skirts, high enough so that Short and Wide, who was not from the brickworks, could crawl underneath. Gone was his black mustache; he didn’t look like an animal any more, he was neither from Ramku nor from Viereck, at any rate he had vanished with his fright, he had ceased to be wide or short but he took up room just the same, he forgot to pant or tremble and he had stopped hitting his knees; all was as still as on the first day of Creation or the last; a bit of wind hummed in the potato fire, the telegraph poles counted themselves in silence, the chimney of the brickworks stood at attention, and my grandmother smoothed down her uppermost skirt neatly and sensibly over the second one; she scarcely felt him under her fourth skirt, and her third skirt wasn’t even aware that there was anything new and unusual next to her skin. Yes, unusual it was, but the top was nicely smoothed out and the second and third layers didn’t know a thing; and so she scraped two or three potatoes out of the ashes, took four raw ones from the basket beneath her right elbow, pushed the raw spuds one after another into the hot ashes, covered them over with more ashes, and poked the fire till the smoke rose in clouds - what else could she have done?
     My grandmother’s skirts had barely settled down; the sticky smudge of the potato fire, which had lost its direction with all the poking and thrashing about, had barely had time to adjust itself to the wind and resume its low yellow course across the field to southwestward, when Long and Thin popped out of the lane, hot in pursuit of Short and Wide, who by now had set up housekeeping beneath my grandmother’s skirts; they were indeed long and thin and they wore the uniform of the rural constabulary.

 

Translated by Ralph Manheim

Original title: Die Blechtrommel
Translation © 1961, 1962 Pantheon Books, a division of Random House Inc.
First published in Britain by Martin Secker & Warburg Limited 1962
The Random House Group Ltd

 

Share this:
To cite this page
MLA style: "Günter Grass - Excerpt from The Tin Drum". Nobelprize.org. Nobel Media AB 2014. Web. 28 Nov 2014. <http://www.nobelprize.org/nobel_prizes/literature/laureates/1999/grass-prose-e.html>

Recommended:

Which Nobel Laureates are hidden within the maze of letters?

 

All you need to know about the Literature Prize!

 

Read about Alfred Nobel's Will and the Literature Prize.